Dept. of JFC
Jan. 15th, 2026 07:08 pmWe are indeed in not only the darkest timeline, but the most fucking surreal timeline.
*wanders off to find alcohol and a wall she can bang her head against*

Barnes & Noble may be a battleground for an unforeseen landscape: politics. Or at least, that was the impression one woman got when she walked into her local store, only to find a particularly charged, curated selection of right-wing adjacent books waiting for her.
Liliana (@lillyestie) was browsing Barnes & Noble when one table with a selection of books made her stop in her tracks. The book display had typical Barnes & Noble signage, saying “give the gift of stories” at the top. But as her eyes panned down, she saw that those stories at that display all shared one idea.

The sound of crazed screaming. The smell of adrenaline-induced sweat. The sight of black leather splattered with blood. Am I describing a horror movie, or the greatest queer underground rave of all time? Maybe a little bit of both! Horror and sexuality have always been intertwined; no one understands this more than the luminaries responsible for these all-time queer greats. After all, what’s campier than blood and body parts flying around? According to these films, nothing! In celebration of the subgenre, here are the 10 best queer horror films of all time.

Directed by Jane Schoenbrun, I Saw The TV Glow is a masterclass in queer coming-of-age terror. Beginning in the 1990s, the film follows ostracized teens Owen and Maddy, who bond over their mutual love of a late-night TV series called The Pink Opaque. After Maddy inexplicably disappears without a trace, Owen is forced to return to a boring, humdrum life—until Maddy returns to town almost a decade later. She’s convinced that their favorite TV show was more fact than fiction, and that the past happened differently than they remember, and that their present existence is a lie. In a stellar send-up of the “bury your gays” trope, Maddy tells Owen that the only way they can discover the truth is by burying themselves alive. A nostalgia-drenched trans allegory, I Saw The TV Glow is about the terrifying choice that genderqueer people are forced to make: live authentically in a queer-hostile world, or dig a grave for their true selves and conform. According to I Saw The TV Glow, the latter choice is where the true horror lies.
Website I found out about today.
Minnesotans are organized and activated to respond to this violence. But they need our help.
This directory of places to donate to all comes from activists on the ground, plugged into the situation. Everything is vetted, with the exception of individual GoFundMes (not everyone is in our networks, and we don’t want to pick and choose who is worthy of help.)
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Glen Powell has already debuted his Patrick Bateman impression in Hit Man. But now, he’s going full blown serial killer in A24’s How to Make a Killing.
The second trailer for the John Patton Ford film was released and we get a little more of a sense of how the film will tell the story of Becket. A man whose mother promised him a life of wealth decides to take matters into his own hands when his family refuses to acknowledge his birthright. So if you’ve ever thought to yourself that it’d be fun to watch Glen Powell think of fun ways to make people die, then this is the movie for you.


Infidelity is an issue that affects plenty of relationships. While cheating can feel devastating and deeply isolating, it’s also not uncommon.
According to a survey by the American Survey Center, 46 percent of women and 34 percent of men report that a partner or spouse has cheated on them at some point.