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Over the years this blog has shifted focus away from life stuff and toward...well, mostly books and poems. But occasionally a life thing is big and needs saying.





My dog died yesterday.





She would have been 16 in April. She had probably 14.5 years of being quite healthy and energetic, a year or so of having some arthritis and being a little more fragile, and then the last half year she was clearly an elderly dog. We couldn't let her go up and down the stairs any more--she sometimes fell, and it was only a matter of time until one of the falls hurt her if we'd let them continue. So we were blocking off the top or bottom of the stairs, depending, and carrying her up and down. A friend made her raised bowls to help with her arthritis, and we were feeding her soft food. We were doing all we could for her, and in the last few months I started thinking, maybe we should get old dogs from now on, we're really good at care for them.





I don't think that now. Because the care for them is not all there is, there's also losing them, and I don't think I could bear going through this over and over again without the springy young dog stages in between.





She was so smart. She was such a smart dog, and she was so communicative. And she was so loving. Toward the end, basically the only thing she wanted was to cuddle, and we did that a lot. We did that a lot.





I don't know how my days will be without this sweet little opinionated old lady dog. I have so much more to say about her. I wish I had so much more time with her.


mrissa: (Default)

There's no particular reason why you have to make anything out of grief that's for anyone else's consumption. A lot of people don't; but then a lot of people do, Alfred Lord Tennyson and Roland Barthes and Donald Hall and Jane Yolen and, apparently, me. The stuff that you pour out into a journal or sketchbook or freeform on your instrument can just be you and your grief, you and a bunch of tears and snot and the knots in your chest. But the minute you say, hey, I think this might actually be good, this might be worth going on with, then there's subjecting the art you made from grief to revision, and that is, frankly, very weird.





I think for me the thing that has been weirdest about this process is the bifurcated view that it requires. Because a lot of what I've been doing is looking at sentences and saying, yes, that is exactly right, that is exactly what my experience of grief and mourning was like--and, simultaneously, this sentence is not doing what it needs to do for this story as a story. And so it needs to change, it needs to communicate more with the outside world, or it needs to go away completely, having served its purpose of getting my emotions out and not having a purpose in the other thing I'm doing, which is telling this story.





Which is a story about grief. Yes. It totally is. But it's a story, I am asking an editor to publish it as a story; I had the choice of just doing a blog post that was word soup, an outpouring on the page, and instead I shaped it into something else, something indirect; I wrote about my grief by writing about the grief of someone who lost their mother, a person who lived alone, a person who had an alien visitor. None of those details are true of me. I took it into the realm of fiction because that's what I do--but then the other thing I do is actually, I revise, I consider, I add and prune and think about what's there compared to what I meant to be there.





Even when it's something incredibly personal.





Even when it's one of the worst things.





It's always okay to say no. It's always okay, when someone says, hey, can you make this clearer, can you make this longer, can you make this shorter, I don't understand what significance the bananas have here--it's always okay to say, no, you know what, I don't want to do it that way, this is how we're doing it or not at all. And I think being a short story writer gives me a very particular outlook on that, because there is always another one.





But there isn't another of this one, there isn't another that does what this one does, that says what this one says, and at the end of the day when I weigh the variables I find that I actually do care enough to make it worthwhile, to look with double vision at my own suffering and say, okay, this part is just for me, this part is to try to talk to the world about what it is like to suffer in this particular way. This, and not that.





All of the things I have to say about Dad's opinion of this are circular: Dad would want me to if I wanted to. Dad would want me to have something to say about this if I had something to say about it. Dad would think it was worth it if it was worth it to me.





Dad trusted my judgment.





Dad wanted me to trust my own judgment too.





It is a very different kind of exquisitely painful to mourn someone who wasn't good to you, and I try to be careful how I talk to people when I know their parental relationship was more complicated than this, but for me, I have this, I have this support that has lasted, that will last, because one of the things about knowing him this well and honoring who he was is that when I take a deep breath and think about whether this line stays or goes in a story, I don't have to second-guess whether he would be upset or not, because that is not how this worked, that is never how this worked with my work, he would never have second-guessed my work, not once, he would have been horrified. I can do this when I say I'm ready, and my dad was in the absolute front ranks of the people who would say that.





I was never going to be ready for the grief part. But the revision, well. Apparently that's now. Bring it on.


mrissa: (Default)

(This is the eulogy that a family friend, Barry Anderson, read on my behalf at Dad's memorial service yesterday. It is by no means my final word on my father, but rather a beginning of the writing I will do about Dad and what he's meant to me--and one for a very broad audience, since we had at his memorial various sides of the family, my friends, Mom's friends, Grandma's friends, my colleagues, his colleagues--and of course his friends from all different parts of his life. Still. This is where I started.)





I think most people go through at
least some phase in their life when their dad is not one of their favorite
people--some time, usually in their teens, when they kind of get at each other.
I never did. My dad has always been at the top of my list.





When I started studying physics, I
found out about binary star systems, where two stars form a stable orbit around
a center point instead of one consuming the other's mass. I thought, that's Mom
and Dad. Then I learned that the planets in those systems tend to have very
eccentric orbits, and I thought...well, there's me. There's always been more to
our family than that--but so much of my childhood took place in that binary
star system that as I try to write this, I'm having to translate from a private
language with only two native speakers left. Some of the small communications
among us were not even conscious. The day after Dad died, when I was missing
the way that I would go off with Dad to just be silent together for a moment,
Stella told me that we each made the mirror image of the same face at each
other when we wanted to have that silence together. I never knew that, I just
did it. It was like breathing. Right now I am trying to write this with half
the light on my planet gone. When Mother was talking about how overwhelming it
was to try to write a eulogy for Dad, I said to her, Mom, we can walk on the
surface of the Earth, we can send people to walk on the surface of the Moon,
but we can't send people to walk on the surface of the Sun. Her relationship
with Dad was two suns, and you can capture flashes of that, the lens flare of
shared jokes, the warmth it cast on everything else, but you can't portray it
directly. It was just too bright.





Tolstoy said that happy families are all alike but every unhappy family is unhappy in its own way. Being raised by my parents made it clear that that Tolstoy was completely wrong. I'm willing to believe that we are not the only happy family! But I'm pretty sure the other happy families didn't spend nearly as much time talking about prehistoric giant beavers, Earl Battey, the Oglala Aquifer, the politics of mountain regions vs. prairie regions, or Haakon the Seventh as we have. I think it's hard to explain how much variety of stuff I have always talked to my dad about. It's pretty normal that I talk to Dad about how Mom is doing or how to best encourage the godkids in their dreams--although I know not everybody has a relationship with their dad where they get to do that. It's less typical that I've been excited to talk to Dad about dinosaur poetry or a new book about algae that's coming out this summer, but that's how we roll. I have no idea how I will prepare for the talk I'm giving next month about existentialism in the works of children's author Lloyd Alexander, without talking to Dad about it. For so many topics he was the only person in the world I could think of to talk to. Part of this is that Dad was always, always willing to go off on the weirdest tangents. No road was too obscure or too strange for my dad's attention. There's a story about my uncle Phil that ends in "Nah--too weird!" but one thing he got from Uncle Phil and passed on to the rest of us is that nothing was ever, ever too weird to talk to Dad about. Nothing too personal, nothing too unimportant, nothing too philosophical, nothing too off-the-wall...it could all go to Dad.





My dad approached parenting like he
approached everything else: in a spirit of joyful exploration. My mom tells me
that when she was pregnant, he would bend down and whisper to me in her belly,
"Chemistry is fun. Math is easy." The fun part there was not
optional. The message was not "put your head down and do science at all
costs, no matter how terrible it is," it was "let's poke at the
universe together and see what fun we can have." It was "don't let
them tell you this is a grind, because it's actually a great big game."
After lab in college, I would call Dad to talk about how each experiment went.
I still remember the surprise and excitement in his voice my junior year when
we got to Franck-Hertz experiment, one he had never performed, and I got to
describe the lavender mercury vapor and the peaks and valleys that showed the
quantum world in a way he'd never seen. Dad loved to bounce his new membrane
ideas around with me. We got excited about the world's beautiful new
possibilities together.





We explored maps together from the
very beginning. When I was almost six, we packed up the five of us in Grandpa's
big blue Buick and set off east. Dad handed me the maps one morning and said,
"Let's try to get Grandpa into the middle of downtown Toronto." For
the first time, I got to help navigate--and I steered Grandpa right into the
heart of Canada Day celebrations, because Dad believed I could do it. He never
believed anything was beyond me. Coming out of one of the hardest years of my
life, I wrote in his Father's Day card, "Your support has always meant the
world to me, Daddy, but in the last few months it's given me the strength to
pursue my dreams. Thank you." He kept it. Mom found it in his pajama
drawer along with the postcards I'd written him every week of that year, which
was the year I started publishing fiction. He taught me not just how to use a
map but how to go off the edges and make my own.





I have wonderful stories of exploring the world with my family, tasting fish on the wharf in Bergen, Norway, trusting Mom's nose to pick out the best pub in London, or dodging traffic trying to get to the North Church in Boston, but truthfully some of my favorite explorations with Dad were to such exotic locales as--silence please--the grocery store--or--drum roll--Target. Every trip to the park resulted in a magic stick. Saturday morning trips to the post office were a special treat I looked forward to all week. I think one of the things that made time with my dad so wonderful is that he was such a great listener as well as a good talker. He and Mom wanted to learn things with me, not just teach things to me. Lots of people's musical taste stops in their early twenties. Dad did want to expose me to the artists he loved, so I got plenty of Simon and Garfunkel, Beach Boys, Carole King, and more--but he was thrilled to learn about 10,000 Maniacs, Barenaked Ladies, and the Indigo Girls in the Nineties, up to Josh Ritter and Meg Hutchinson in this decade. He never stopped having new music to love. Lillian was so proud to play Santana songs for him, but I know he would have loved learning whatever songs she and Rob grew to love, because he had never stopped and had to restart again.





This is not to say that there
weren't a few hilarious bumps in the road of joyfully exploring with Dad. When
I was five, Mom worked an early shift to be able to be home with me when
kindergarten got out at noon--which meant that Dad was in charge of getting me
ready for school in the morning. He was still cleaning up breakfast dishes when
I slipped in the bathroom and singed my wrist on the curling iron. Once he made
sure it was a superficial burn, Dad did all the right things, running my wrist
under cool water and bandaging it, pulling me into a hug--and then said,
excited, "Marissa! Now is a great time to learn about your body!"
What! I listened indignantly as he described the miracles of the white blood
cells mustering a defense of my skin, which did not seem like an opportunity at
that exact moment. I teased him about that one for the rest of his life,
drawling out, "Daaaaad, it's a great time to learn about your
baaaaaady."





My dad's belief in the importance of playfulness ranged through his whole life. His relationship with Grandma started with water fights when he was a teenager and she was a fun young mom throwing her home open to hordes of her daughter's friends. Up until his last days, Dad loved to play cards and games with Grandma and her friends--and how many mothers-in-law can honestly say not only that their son-in-law would drive their friends around for game night but that he clearly enjoyed doing it. He would also peer carefully at the intricate games Mark, Mike, and Kev would set up at Christmas, at all the tiny moving parts showing new kinds of game that he had never seen before, always a fascination.





But he took especially thoughtful care in teaching play to my friends when I was little. A lot of dads coach softball--so did mine. But I also have pretty special memories of how my dad taught one of my friends about teasing and joking. She was an immigrant whose journey to this country was pretty rough--and once she got here, her experience of Americans teasing was that she was the butt of the joke, and that laughter was always at her expense. My dad took the time to teach her in very gentle stages that it didn't always have to be that way. I remember him coming in and saying to her, "You will be very sad because Mrs. Lingen has made brownies and you do not like those." He waited hopefully. She paused and thought about it. "Mr. Lingen, I think you are teasing me because you know I do like brownies." He said, "Yes--and you know you can have as many brownies as you like here at our house." From that very simple point Dad stepped her up to the idea that you could tease somebody because you liked them--that her new American life could feature people who were including her in the joke instead of keeping her out. That was the kind of play he always liked best, and he wanted to make sure other people had the chance to enjoy it too.





With all the time they spent together from basically the minute their ages hit the double digits, you'd think my parents would know everything about each other. And yet I remember within the last year each of them marveling to each other, "I'd never heard that story," or, "I didn't know that!" about new discoveries they could make together, new stories to tell each other, new dreams of ways the world can get better. Some of this is that they remained always open to listening and thinking about each other's perspective. Some of it is that they have both always listened respectfully to others, so that when they came home to each other they would have fresh perspectives to present from their conversations, new thoughts sparked by other people they value--people from all walks of life.





My dad centered values in his life, not policy--the question was always how to get clean water, clean air, how to feed hungry children, how to nurture hungry minds. When he was a young man he was interested in hearing my grandfather's viewpoint, which was a lot more traditionally conservative than Dad's was then. These days I'm pretty far on the progressive side, and Dad listened to that with just as much respect as he gave Grandpa. But the point for Dad was never what team you had signed up to play for it, was how the ideas worked and whether you were treating all humans with respect and decency--and whether you were always willing to take in new information on how each idea was working in the world to help real humans. My dad would be the first to tell you that if you spoke all the tongues of men and angels but had not love--real love, love that is enacted on the earth--you were a noisy gong or a clanging cymbal. (Probably less than that, because he would want our percussionist Lillian to have all the clanging cymbals she wants. Sorry, Stella.) 





My dad taught me that a perfect day was a day that we all spent together as a family. The details didn't matter--it was the time we spent that made it perfect. So if I tried a new recipe and the sauce came out soupy--perfect day. If the beautiful castle and garden in Uppsala were at the top of a very VERY steep hill--perfect day. (As God is my witness, Grandma, it looked flat as a pancake on the map.) He appreciated the ways that Mom and I spent time lining up details to make a GOOD day, whether it was reading newspapers over brunch, climbing down a thousand-year-old copper mine, learning a Japanese style of weaving, or spending all day making the year's supply of lefse and Christmas cookies. But ANY of the details were the RIGHT details as long as we were together, and Dad knew that was what mattered. He would hug me at the end of the day and whisper, "It was a perfect day."





We had so many perfect days.


My father

Jun. 2nd, 2019 06:57 am
mrissa: (Default)

This blog has evolved with time, as you would expect something to do in 18 years. I used to post daily, little rambly posts, few of them particularly themed. Now it's almost all book reviews and publication news, with the occasional theorizing about craft. But this personal thing is too monumental to leave out.





Two weeks ago yesterday my beloved father had a massive brain bleed from a med he was on. Before the bleed profused we had time to talk and laugh and say "I love you" so many times. At that time there was still a lot of hope that he might recover. There was then a second, ischemic stroke in the opposite side of his brain. The two weeks since have been a haze of brilliant care and uncomfortable facilities, of waiting and hoping and gradual realizations that the Dad I have adored was never coming back to us. He died gently yesterday morning before dawn. My mother was with him. I had been able to spend all day, every day at the hospital--always the three of us, as it's always been, but other family and dear friends supporting us as well.





I will have so much more to say about Dad--for years, for the rest of my life. I am heartbroken, shattered, agonized. I don't know how I'm going to do this. One step at a time, one day at a time, everyone keeps telling me. Yes. I don't think there's another choice. Those of you who have known me for years know that the phrases I keep handing people like "Dad and I were close" do not even begin to cover it. I never had a phase, not a year of my life, not a moment, when my dad was not one of my favorite people. He always called me Sunshine but we were each other's sunshine. I don't even know how to say all of what's gone. I will have to keep trying.





But a thing I am capable of fully articulating now is this: the ICU nurses at Fairview Southdale did such an astonishing, such a phenomenal job that I never had a moment of doubt that they and we were a team together, that he was getting the very best of care. And when the hospital transferred Dad up to the palliative care floor on the last day, I kept having the mad urge to run back to the ICU floor where I felt safe. Think on that: it was the place where I found out my dad was going to die. I had so many tears in that place, so many bodily indignities for the father I love. But their care for my dad and for our family still let it feel like a safe place to me. That standard of care is an amazing achievement. I have said over and over, "This is the worst week of my life," and it is. It is. But it could have been so much worse without the ICU nurses we had.





We're trying to put one foot in front of the other, we're trying to figure out how this goes. We're leaning into the care of our friends and family. But I feel like I fell into a parallel universe, and not one of the delightful ones. With the timing of the weather in our Minnesota spring, I feel like I was beaten and mugged and shoved out the door of the hospital into a world that was suddenly bafflingly warm and fully green and filled with heart-deep bruises, and I only wish that what had been taken from me was my wallet.





Oh, Dad.


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No one asked me to read all of my grandpa's books. It was not assigned, not requested, and in fact I don't remember having any kind of deliberation process for whether this was a good idea. He died on a Monday, the funeral was on Saturday, and on Sunday I packed up and went home, with a box of books in the trunk and the understanding that the rest would come to me as it was convenient, as Mom and Grandma got the house sorted. There was one box that almost went awry because it had a few decorative items that were going to another family member. We got it figured out because I asked after those books, because I knew what was on my grandpa's shelves. I knew my grandpa's shelves.

When I was really tiny, when I went to stay with my grandparents, they had my crib in their bedroom to give my parents relief, and to be with their only grandchild. But when I got a little older, my designated place to sleep at my grandparents' house was on a day bed in my grandpa's basement office. With his books and his desk and his model airplanes. I did a lot of my own reading down there, a lot of writing, a not-inconsiderable amount of daydreaming. And I looked at his books. Some of them I read. A lot of them just waited around until I was older or in a different mood. There were hundreds, and I had time.

It turns out I did have time, and now I've taken that time.

I'm glad I did.

I'm really glad that I didn't try to do it all at once, because that would have changed a good way to know my grandfather better into a grim slog, and I would have resented it pretty much immediately. Instead I worked them into my regular reading--a lot at first, then fewer as time progressed. I was in no hurry to finish, but at the same time I did want to finish. I didn't want this to be a permanent intention and never a reality.

The first of Grandpa's books I read after his death was David Pietrusza's 1920: The Year of Six Presidents. He had actively recommended it to me before he died; it was a gift I bought him that he thought I'd like too, and I did. Pietrusza has a very engaging style, and I wish he'd write more presidential election books. I'd read them all.

The last one I read--yesterday, Sunday, June 3, in case you wanted to know--was The Rise and Fall of the Third Reich. I deliberately saved something solid and well-written for last--I didn't want to spend the last of my grandpa's books going "meh," or, "shut up, that guy." This book did not disappoint. It horrified in several spots, but it didn't disappoint.

In between, there were books about birds and national parks, books about the Marine Corps and early aviation. There were lots and lots of spy novels and mystery novels. Things I remembered him getting at Christmas, one thing he got at birth as a gift from my great-grandparents. There was a book that had been his father's--I think my first time looking at my great-grandfather's handwriting. Some of them ended up feeling like they were probably desperation presents when someone in the family didn't know what to get him--either noted down in the front, or I could remember or sometimes guess. Others were books he had loved passionately and read over and over again. I reread classics. I reread things Grandpa had read to me. Other classics--The Red Badge of Courage, Mari Sandoz, Ambrose Bierce--I had never quite gotten to.

I became acutely aware that we--my mother and my grandfather and I--had done a certain amount of division of history knowledge. World War I, for example, was my province; if anyone else in the family needs to know anything about WWI, they can ask me and I will either know or have a solid idea where to find it. Ground warfare in WWII is Mom; air and sea was Grandpa. I took the Seven Years' War, including the US portion known as the French and Indian War in most American schools. The US Civil War was Grandpa's. This became clear as a fairly big problem when Grandpa died and entire swaths of history went missing. Reading Grandpa's books was part of solving that problem. Only part. It was an entire worldview shift. It's an ongoing worldview shift.

It's lonelier. In that one direction, even though my life is not lonely. People are not fungible. The person I most wanted to talk to about this project, the person I had the most to tell about it...was Grandpa.

I'm really glad that I have established the tradition of buying myself a book Grandpa would have been interested in, that I am also interested in, for his birthday every year. When I explain this to people, I say, "I'm not ready to be done sharing books with my grandpa yet," and that's completely true. But in another sense...when I put The Rise and Fall of the Third Reich on the shelf with the other German history yesterday, I cried. It's my book now. It's my book that I inherited from my grandfather, like the Kipling was Grandpa's that he inherited from Great-Grandpa, and now is also mine. But what it meant was that in a very real sense, ready or not, I am done sharing books with my grandpa.

He was a big library user, so I know this wasn't all the books he read, not by half. That's part of what made it simultaneously interesting and possible. If he wasn't such a big reader, books wouldn't have been important to him enough to make this project worthwhile--and yet, if I wasn't such a bigger reader, even this pace would swamp my own reading and make it overwhelming.

I have noticed how many fewer books there used to be. Literally. There were just fewer books available, total. Part of Grandpa's collection growing late in life is that he had both the time and the money to read in retirement, but part of it was literally more books. He read almost exclusively white American men--through no hostility toward other categories, through the kind of omission and affinity that can become natural--but it meant that when I was reading a lot of his books early on, I became aware of how much I valued diversity of all sorts in my reading choices, how glad I am to have those choices and not have to hunt through the literature of 1940 to get the best I can in that regard. I learned a lot about the books aimed at men his age, though, especially war stories. They're surprisingly focused on romance, on the girl left to wait behind, and also on friendship. That's a conversation we could never have had out loud. That's an insight I had to gain this way, after. There have been lots of others, along the way.

A few people who have heard I did this have been horrified at the idea that someone would read their trash as well as their treasures, but for me that was part of the point. Grandpa's Ten Best Books would have taught me something, to be sure, but there are all sorts of Ten Best lists. The ins and outs and intricacies of his hobbies and obsessions, the places where he put his feet up and read and interchangeable mystery novel--that's at least as much the person as the things he thought were wonderful and wise. I feel so lucky to have had the chance and the choice to do this.

No one ever checked up on me, no one ever said, are you really doing that, haven't you quit yet, haven't you finished yet. No one jostled my elbow. Like so many things in his and mine life, this was between me and Grandpa. I'm the only child of an only child. There wasn't any question of a group outing, a horde of grandchildren, a pack of us, what would we all do. There was just me. Just me and Grandpa browsing the bookstore, just me and Grandpa for hours in the library, just me and Grandpa stopping off to get an Orange Julius after, or a coffee for him and a hot chocolate for me, and having a companionable read together when we got home. I can talk to people about the individual books, but in the end this is something that I shared with my grandpa. And I'm so very glad I did.
mrissa: (Default)

A few weeks ago, when we were having a rash of notable deaths, one of my friends was asking, in her grief, whether it would just be like this from here on out. One of her icons, one of her heroes, after another. And Tim very quietly said to me, “Now would be a great time to start liking the work of artists younger than yourself. Every time is a great time.”


Well: yeah. And the immediate aftermath of a death is not the right time to say it more loudly than that, which is why I waited. But yeah. Because you’re not trying to replace anybody. No one will ever replace the artists of your childhood, the people who inspired you in your teens, those who touched your heart and lifted your mind in the first days you were an adult. Those people are irreplaceable.


But that doesn’t mean you go quietly into a downhill spiral of fewer and fewer artists to love. I think too many people do. The studies show it: most people stop liking new music in their late twenties or early thirties. They stop seeking it out–or maybe they never sought it out, and they stop being in situations where it finds them automatically. I think this is maybe less true on average for books and movies, but still somewhat true: the shape of things you seek out slows down.


And it gets easier to feel like the world is getting worse. Like things are getting sadder, diminishing. But they’re not. There’s more good stuff out there. The kids are not only all right, they can be there so that when the artist who was 30 when you were 15–30 and living hard, 30 and partying all night on the tour bus–turns out to be mortal, as statistically it turns out a great many of us are–there’s the artist who was 15 when you were 30.


And no, they don’t sound the same. They won’t feel like being 17 and having your life ahead of you. They’ll feel like being 37, or 57, or 87. And still choosing to have your life ahead of you.


That’s a pretty good thing to sound like too.




Originally published at Novel Gazing Redux

mrissa: (Default)

This is in response to a locked post a friend made about how hard it can be to talk about things when you’re doing badly, without minimizing or feeling like you’re whining. I wrote most of the post and then realized that people might think I was being subtle about myself instead of reacting to a friend. But: locked post, cannot link. Sorry.


Some years ago, a friend of mine lost her partner (also a friend of mine). In addition to his death–as if that wouldn’t have been enough–my friend also lost her voice for quite some time, and there was an incident with a falling piano, and…yeah. It was not a good scene for my friend. Everyone who knew her knew of the string of bad things, but those of us in town had more opportunity to actually spend time with her.


Then I went to World Fantasy, and I ran into some people I know by name but do not know well. They were friends with my friend. And when I mentioned her name, they immediately said, “Oh yes, how is [friend]?” And I said, very firmly, “She’s doing just great.” They reared back and stared at me as though I had grown a second head. Doing great?, they asked incredulously. I, in turn, stared at them as though they had grown additional heads and said, “I don’t know how much better anyone could expect her to do under the circumstances!” Well, no, they agreed. Under the circumstances. Really one could not. But we sort of looked at each other funny for the rest of the conversation.


And it is hard to find the balance between informing people of bad stuff that’s going on and feeling like you’re whining. It really is. But this is also complicated by the fact that friends and other people of goodwill can’t rely on coming from the same cultural perspective on this. Even when one is speaking on behalf of someone else and not worrying about whining–and Lord knows if anyone had earned a whine that fall it would have been my friend–what message is conveyed by what level of response is highly, highly culturally determined. I would have felt disloyal if I’d said something that, in retrospect, was more like they seemed to expect, more along the lines of, “Poor dear, with all she’s been through it’s a wonder she can put one foot in front of the other to get from bed to bathroom.” It was a wonder. But she was doing it, and I didn’t want to give the impression that she was not. They already knew the practical details–I knew this was not a situation where I was going to be called upon to say, “Oh, had you not heard the terrible news?”


And I think one of the major cultural obstacles to overcome in achieving actual communication is how much people are expected to state the emotionally obvious. Sometimes it’s a relief to turn to someone and say, “I’m really sad right now,” or, “This has been very stressful for me.” But sometimes it’s also a great relief not to have to. Sometimes it’s a very great relief for the person or people you’re with to think, “Hmm, gee, Friend’s partner died, maybe Friend is REALLY SAD, I’ll do something nice,” without having to spell out every moment: “Still sad. Yep, still devastated. Life still in chaos due to very sad thing, yep yep.”


Sometimes you have to do that. Sometimes that’s just how it works out. But wow, is it another layer of difficult just when people don’t need more difficult. And it’s a thing to keep an eye out for a) when writing people from different cultures and b) in trying to be compassionate in, y’know, real life.




Originally published at Novel Gazing Redux

mrissa: (Default)

Today I’m wearing the shirt I bought when my grandpa was dying.


There are drawbacks to having a very sticky memory, and this is one of them: Grandpa died six years ago, and I have never once worn this shirt without thinking of the circumstances of its purchase. It’s a lovely bottle green, it’s a fabulous color for me, the fabric is soft…but it is permanently the shirt that I bought when my grandpa was dying.


I sometimes think that after six years I should stop having this lurching vertiginous feeling every time we do something with my side of the family and I’m in charge of making the reservations or buying the tickets or whatever. Every time–every single time–I have a horrible moment of conviction that I have reserved (or bought or whatever) the wrong number. And my brain doesn’t forget at those times. It’s not that I have moments of thinking Grandpa is still alive. Because what I invariably think is, “Where’s Grandpa going to sit?” So the thing in my brain that lurches like that knows that it’s Grandpa missing. But it happens every time, and it’s not tied to a number. My brain knows that we are different numbers at different times. We’re just…always one less than we’re supposed to be, whether we’re four or five or six or seven or…I don’t know, it could get up to seven billion, I suppose, and it’s still seven billion but no seat reserved for Grandpa.


I hate the second week of March.


And it’s not just Grandpa; Gran died on the same day as he did. I have this sense of doom every March. It’s good to keep an eye on that sort of thing so that you don’t mistake it for actual knowledge, and I’ve had this same sense of doom last year and the year before and so on, with no actual doom attached. My dark forebodings should not be reinforced with confirmation bias. The people I love who are going through tough medical things are not any likelier to have a hard time because of my feelings about early March.


Still and all. I am always glad when we get through this bit.




Originally published at Novel Gazing Redux

mrissa: (Default)

We have all sorts of things going on, tasks and chores and ideas, attempts at healing and social things, worries and relief. And threaded over and under and around and through it is the fact that we are coming up on the fifth anniversary of my grandpa’s death. Like his mother before him, he died on March 16, cementing the next day’s St. Patrick’s Day associations for me pretty permanently. Maybe there’ll come a time when I don’t think of it, but I kind of doubt that. On the day he died, I was so glad and so grateful to have a loved one cooking corned beef and cabbage for us because it was hot food made with love, but now the association is so strong I hope I never eat it again.


I brought all his books home and cataloged them and stacked them up, and I have been reading through them. Some of them I bounce off, some I read through, and you see them in my book post. There were hundreds. Now there are less than twenty. When I realized the five-year anniversary was coming, I was grateful that there were not fewer, because I will soon be done reading Grandpa’s books, and if there had been two or three, if there had been only a handful, it might have felt like the right thing to try to finish on the anniversary, and I think that would have been wrong. I think that would have been too much synchronicity to bear, and yet it would have been hard to resist that kind of narrative pull. So I will just keep at it steadily, and I will finish reading them when I finish reading them. The universe is full of ragged ends and things that don’t come out evenly, and that is better than okay, it is good. The tidy packages, the tied-up strings, they are not how life works.


When I have finished reading my grandpa’s books that he owned, I will be okay. Oh, don’t get me wrong, I will cry. I will probably cry like my heart is breaking all over again, because it will be one more thing, one more piece of loss. But I can never lose my grandpa all the way. I knew that the day he died, and I was right; I know it just as much now. Every year for his birthday I buy myself a book for Grandpa and me. And it’s a good tradition, but that thing I said up there about things coming out evenly, I meant it, so if I’m somewhere in an odd little bookshop and I find a book for Grandpa and it’s not coming up on February 1, I buy it for Grandpa and me anyway. Or I get it from the library for Grandpa and me. Of course it’s not the same. It’s not remotely the same, that’s the horrible part. But I can only do the part I can do, and this is the part I can do, the stories, the remembrance, my side of the conversation.


And putting more of the protag’s grandpa in the book I’m revising. Because he belongs there, and because.




Originally published at Novel Gazing Redux

mrissa: (Default)

In my internet wanderings, I ran into this open letter to lung cancer patients who smoked. And…I feel pretty strongly this way. I run into obits sometimes where they specify that someone died of lung cancer even though they never smoked, and I think to myself, because if they had, their families wouldn’t have permission to grieve? My grandpa smoked, back in the day, and he quit before I was born, but his COPD contributed to his death. He didn’t have to earn my grief with perfect lung-related behavior. He didn’t even have to earn my grief with perfect Grandpaing. Not a one of us is perfect. Not a one, though some of us are amazing. Sometimes we get a chance to do better. We try our best, except sometimes we don’t. We try our best at the things we can manage. Except sometimes we don’t. And we love each other anyway. And then we’re gone, and we’re allowed to grieve. We don’t have to justify our grief with righteousness.


I get upset about this in the fundraising letters from the charities I support. Habitat for Humanity sends me these letters about these families in trouble, all the good choices they’ve made and how they’re in trouble anyway, the virtuous poor, and I think, okay, yes, I believe in those virtuous poor, I believe that happens sometimes, but. But. I also believe in people who didn’t make perfect decisions and still need a place to live. It’s all right to say, “We believe that it’s not okay for people to be homeless.” It’s entirely fine to say, “We are people who think that other people should have a safe warm place to sleep. Is that who you are too? Join us. Be people who think that too. Be those people, together.”




mrissa: (getting by)

I never met the man, but you can spot him at whatever age. Whether you’re watching the Weavers videos from 1951 or the concerts before the first Obama inauguration in January of 2009, Pete led with his grin. You can see immediately that it’s the same guy because he’s lifting his chin and grinning in the same way. With so many 94-year-olds, you’d say, well, he had a good run, or, I guess he was about done, it was time for a rest. But with Pete, no; with Pete there was still so much to do. There was always so much to do.


Because Pete Seeger was one of those people who appeared to honestly and truly believe in improving the world. All the way through. He was blacklisted and shut out for so many years after the HUAC testimony, and he kept on singing about making the world a better place, and he kept on making the world a better place. I’m a Gen Xer, the young end of Gen X; grunge and cynicism are my coming-of-age music. Also I am not a fan of the banjo. But in college I discovered Pete Seeger, and I just couldn’t resist. Fell in love with the Peteness right away. And when you hear him in person, as we did in 2011, when you hear him sing “We Shall Overcome”–not only do you believe for a minute that we shall, but for a minute you can even believe in we. Even if you’re a congenitally grumpy Xer. Because Pete.


Just last week, Timprov and I were driving home with four new tires and zero new photos (…long story), and I asked what he wanted on the CD player. And he said, “I don’t care…wait, have we got More Together Again?” And we did, so we put it in: Pete with his grandson Tao and Arlo Guthrie and other musicians they know and like. And we sang along all the way home, “Midnight Special” and “Abiyoyo” and “Guantanamera” and “Where Have All the Flowers Gone” and “This Land Is Your Land,” all of it, all of it, through the dark night home with Pete.


Edited to add: I realized the obvious thing to link. Here, have Precious Friend.




Marylyn

Nov. 21st, 2013 10:59 pm
mrissa: (getting by)

I was worried, because I hadn’t heard from her at Christmas in the last few years, not even just a signed card. I made out my Christmas card list today, and when I wrote, “Marylyn,” I stopped and looked at it and hoped, and hoped, and wondered.


And tonight I find that my Marylyn died on Tuesday night.


She was my seventh grade English teacher, one of the two absolutely formative English teachers I had as a writer. (Ron Gabriel is gone from us also.) After that she was my friend, genuinely and honestly my friend, and we would get together and have coffee and pie at the Garden Cafe. She was one of the first adults who was my friend when I was a kid, not because of my parents but because of me, one of the first adults who taught me how good that can be, being friends across decades. The kids I have in my life, if I am good for them at all, owe a portion of that goodness to Marylyn Bremmer.


I feel like I should be able to put words on the flood of memories I have, on her merry laugh and her grave tones of serious advice, on the time she terrified a room full of smartass seventh graders into maybe taking a little better care with each other from then out. On the imitation she did of a Texan doing Mark Antony’s funeral oration. On the way she looked at the description I’d written of my friend Becca and said, “She sounds so very much like my Charlotte,” and we could talk about girl friends and lasting friends and what all that meant. I’ll pull myself together and write something coherent in the condolence letter to her family. But mostly I just keep hearing her chuckling in my head, saying, “Now remember, dear, when you publish your first novel, make sure the dedication page has it m-a-r-Y-l-y-n.”


Do not approve. Am not resigned.




Originally published at Novel Gazing Redux

mrissa: (getting by)
About six years ago, I wrote a post about Nana and the last of her home-canned peaches. And I talked about how lucky we were to have her still, and to have her be so much herself, after what she called her "little spell" and the doctors called a hemorrhaging brain aneurism. (For those of you who don't follow the link: this is my "aunt" Kathy's mother.)

Nana died last night. And all I can think of was the time when she was caring for Nanu when he was so sick before he died, and how he said, "Dorothy, you've been so good to me, you're going to heaven for sure." And quick as a flash, she said, "Oh, no, Frank! I want to be with you!" There are so many Nana quotes that have made their way into my family's daily vocabulary--the top two are "Didn't you do that last time we went out?" and "Eat your fruit and go," but I'm sure there will come moments in the next few months when something comes out of my mouth and I stop and think, "Oh, that was from Nana." She was just one of those people you can't help smiling about even when you're crying.

Milestones

Jul. 10th, 2012 11:26 pm
mrissa: (grandpa)
Today I hit a milestone, an even bigger one than this weekend, when my number in the library's queue to check out the Downton Abbey DVDs dropped below 100: I got through another pile of Grandpa's books.

Those of you who have been reading me awhile know that my grandpa and I were very close, and that when he died, I inherited his book collection. I've been reading them a bit at a time ever since. Grandpa would have been the last person to want me to push aside my own reading for his, and he'd have been the last person to want me to make myself miserable with his books, so when I'm pretty sure I know I don't want something, I put it aside. James Patterson and I, for example, have parted ways permanently. I have learned all I can about Grandpa and his tastes in books from reading the volumes of James Patterson I have already read, and more would do me harm. But there's other stuff in which we're a lot more congruent, and other stuff in which I look forward to finding out whether we are, or at least finding out what Grandpa saw in it.

So the books are all piled on his desk, here in my office. And...that's not the working desk. The only thing it gets used for other than holding books in the to-read queue is wrapping presents. And yet clearing some more space on it feels like a triumph. I'm not ready to be done reading Grandpa's books--good thing, too, since there are well over a hundred left. I haven't counted. But I am ready to feel like I'm making progress. I'm ready to feel like it isn't infinite. I think today, in particular, I needed something to feel like progress, and hitting another thousand words of book is great for that...up until the point where you've said, "I shouldn't have daily or weekly word count goals, that's not being healthy for me right now." Then, of course, you exceed what you would have set for them, the minute you drop them. Which maybe proves the point about how they weren't healthy? But also makes it hard to use them as the indicator of progress in quite the same way.

I keep reading my way through a book one of my godfathers gave Grandpa called The American Short Story. The The is underlined, and they mean it. They don't mean Some American Short Stories. They mean, by God, these are the most famousest ones that ever famoused. This book is remarkably ill-suited for how I talk about books. It's got The Turn of the Screw in it just kind of at random, sternly, this is something you should read, damn you, go read it, after some Melville but before you get to Hemingway. There are more than a thousand pages of this, and they are being quite firm about what is and is not canon. They know best. It isn't a book to read any more than his bird guide was a book to read (I read that too), any more than the Marine Corps Book of Lists was a book to read (I read that too), it's a thing you have to look up the things you're supposed to have read in, and then read them in bits. No wonder it sat in his chair-side magazine rack forever. I understand now. It's a staggering thing in its way.
mrissa: (grandpa)
This has happened to me three times now: I have been waiting in line in a public place with one of Grandpa's books. And a Nice Friendly Old Fella has noticed what I was reading and commented upon it favorably, because Grandpa's books tend to be Nice Friendly Old Fella Approved.

And then like an idiot I tell the NFOF that I inherited my grandpa's books and I am reading through them all.

And then the NFOF tears up. There in line at the post office or Target or wherever else. He gets sniffly about me and my grandpa's books.

I know it's not a bad kind of sniffly. It just makes me feel like a horrible cad, going around reading things and making NFOFs cry, and I feel like I should come up with something else to say that will not make them cry, but it just...comes out of my mouth. And I don't really feel like making a huge effort to avoid my grandpa in conversation. That is about the least Mrissish thing ever. So I just don't know what.
mrissa: (grandpa)
I now know that there is in the world--in my house, in fact--video of me walking in the snow with my grandpa at about age 3 or so. We went out to feed the birds, hand in hand, and I ran a little, and he came and scooped me up. And it was...just so very us.

Really hard to come upon it unknowing, but so good that it exists.

Dear universe: I will let you know when I am okay with this death thing, but for now the answer is still no.
mrissa: (grandpa)
In the last few months I've developed a new problem.

It's not that I've forgotten my grandpa has died. I could never, ever forget that. But I make a lot of verbal slips these days. I will be listing who was at Easter dinner and say, "MommanDad, GrandmandGrandpa--no, no, just Grandma." Or I will say, "The folks and the grands--Grandma, the folks and Grandma." This hurts like crazy every time I do it.

And when I get tickets for us to see a play or a concert or something, when I see how many there are, I have a moment of irrational panic because there isn't one for Grandpa.

And I know it's Grandpa there isn't one for. That's the crazy stupid hard thing. If I was forgetting that Grandpa was gone, I would think, "Oh no, I didn't get enough!" rather than, "Oh no, I didn't get one for Grandpa!"

I think what's going on here is that Grandma has now lived up here awhile. My brain is not going, "Hey! It's Grandma!" all the time. Things are now in some sense normal again. And hey, my subconscious totally knows what normal for my family of origin looks like! It's me. Mom and Dad. Grandma and Grandpa.

Sigh. I simultaneously want to stop doing this and do not want there to be a new, grandpaless normal. But it turns out the universe did not ask me.
mrissa: (grandpa)
I have always observed Valentine's Day with various people in my life--not just as a romantic love holiday, but as an excuse to give little people stickers and let older folks know I'm thinking of them and like that. Love is for everybody, and my family is a holidaying sort of family. Arbor Day, Syttende-Mai, collect 'em all. We are not theological syncretists much, most of us, but holiday syncretists, oh yes. Give us your cookies, your candles, your lucky money envelopes yearning to breathe free. We're totally there.

But I can't help but remember now that Valentine's Day was the day my grandpa went into the hospital, that last time. He didn't die until over a month later, the day before St. Patrick's Day. I never much liked corned beef and cabbage. I was so glad to have it the day Grandpa died, because it was a symbol of my aunt Kathy loving us and taking care of us, but ever since then the prospect of it makes my stomach revolt, because the smell refers back to not only Grandpa's loss but the day Gran died thirteen years earlier and the college cafeteria had the wretched stuff, and that wasn't anybody taking care of me at all.

And tonight the thaw refreezing smelled a particular way, when I opened the door to let the dog out, that recalled a March visit to Sioux Falls when I was very small, when we took Gran out for Chinese food, after Grandpa had discovered he liked Chinese food, and I walked out to the car with my dad and whacked my head into his hand for affection and he scruffed my hair and it was me and Daddy and Grandpa, walking to the car in the refreezing night, not a memory of anything, just a memory, keeping up with big strides on little legs, being together, Andes mint on my tongue. I know not everybody has that kind of vivid sense memory, but I do, and sometimes I don't know how I'd find my way through time without them.
mrissa: (grandpa)
One of the things I have been remembering about my grandpa lately is how little tolerance for stupidity he had. This may fall under the category of not discussing the faults of the dead, but in the context of his relationship with me it didn't feel like a fault, not the least little bit. He had no problem whatever with educating the ignorant, and his patience with people who were not naturally very quick-witted or were handicapped or had learning disabilities of whatever kind was a lot more extensive than most people's. It was people who could readily learn better and wouldn't who got to him, and he was always quick to make sure I knew that was what he meant. He would call me up when he was dealing with a particular group of people that frustrated him often, and he would say, "Rissy...they've apparently got stupid lying around over there that they haven't even used up yet...but they're trying." And I would say, "Let no one say they're not trying." (I had delighted, when I was about 5 or 6, in the dual meaning of "you're trying," and Grandpa and I sort of kept that as a thing between us for the rest of the time we had together.)

He also had some "saltier" expressions about The Dumb, maybe from his time in the Marines, and a few he cleaned up for me. He was very fond of "when God was handing out brains, so-and-so thought He said trains, and he/she didn't want to go anywhere." He laughed and laughed when I suggested, right before I got married, that this explained [livejournal.com profile] markgritter (Mark is very fond of trains). He also used "too dumb to pour pee out of a boot" (which I know was cleaned up from the Marine version) and sometimes "too dumb to pour pee out of a boot with a spigot on the toe and instructions on the heel."

But my personal favorites were "he couldn't find his ass with both hands and a map" or "he couldn't find his ass with a torch and a native guide." When I was maybe 6, I came to him anxiously--I wasn't supposed to have overheard Grandpa fulminating about someone's stupidity quite so vehemently in the first place--and asked if he knew that a British person would think he meant a flashlight and a native guide. He kept an absolutely straight face and decided that he was all right with that. He had another one with an actual flashlight in it, but I'm forgetting it.

I haven't been running into particularly egregious stupidity lately, so I'm not sure why this is at the top of my stack. I think maybe it's because it makes me smile or laugh thinking of my grandpa sighing and rolling his eyes. Also because one of the things I love about Foyle's War is that Christopher Foyle doesn't suffer fools gladly either, and they often let him take the said fools completely to bits sometime in the course of the episode, and some of the things he does when he does that remind me a bit of Grandpa, though I didn't put my finger on it right away.
mrissa: (grandpa)
I am at the bit of The True Tale of Carter Hall where the Queen of Air and Darkness has turned Tam into a serpent and she still has to hang on. I am describing Janet holding this bloody great serpent.

And in my head all I can hear is my grandpa's voice saying, "They're not slimy! People think they're slimy, but they're not, they're dry and scaly."

He was really concerned that I not grow up to be a girl who was squeaky about snakes. I don't know how much of this book he would have liked, but he would have liked that I was clear that they were not slimy. And he would have known that was there for him.

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