What I want, the SF version.
Aug. 4th, 2007 08:43 pmFor some years I have wanted more science fiction that's optimistic in tone without being utterly disconnected from the current situation. I would like more upbeat-cool futures we could get to from here. It's not that I don't like dystopias or grim futures, and it's not that I'll refuse to read them. It's that I don't find myself lacking in that area. Ditto the stories that are either far-future enough or alternate-timeline enough that there is a chasm between here and there that may or may not be unbridgeable but certainly doesn't look bridgeable soon: they can be great fun, they can be good stories, but I'm not lacking in them. The bridges that are difficult for me are the social ones, more than the technological ones -- I don't think Mundane SF is the solution to this problem in any generalized way, although probably some works of Mundane SF will fit the bill for me. What I mean here is, FTL all you want, but don't pretend that we have a working space program at the moment or, y'know, in my lifetime. Alternate social structures, absolutely; alternate social structures that we have painlessly established in twenty years, pull the other one.
I was finally able to put words on this desire when I rewatched Galaxy Quest for the umpteenth time in May: the Thermians have taken something ridiculous and in parts frankly stupid and made it into something beautiful and functional. That's our job here, people. A lot of what we have right now is ridiculous and in parts frankly stupid. We're trying to get from that to beautiful and functional. (And funny and kind, ideally, but I'm already asking a lot of this future thing.) I don't need these tales to be predictive. I don't need them to be purely extrapolative rather than speculative. What I mostly want is acknowledgment that, yes, ridiculous and in parts frankly stupid, and I want to see glimpses, little side notes out of the corner of one's eye while one reads a really good story, of how the heck it got from that to the nifty shiny fun future setting.
The thing is, as I said, I've wanted this for some years. But in the last few months, as I've been working on What We Did to Save the Kingdom*, some of the connected-but-clair** SF stuff has been starting to fall together. I can see how to do some of the short stories I've wanted to do. I can see not only what I want to read but how to write some of what I want to read in this area.
This is, I scarcely need say, kind of exciting. What We Did is what I consider high fantasy, by which I mean fantasy with a lot of politics and magic. I think other people mean other things by high fantasy. This is not a quest fantasy. It has no elves (not even under other names), nor dragons, nor wizards. It is mathy, and there are barricades in it. I am uncommonly fond of novels with barricades, the kind that come with peasant uprisings. The last book I wrote indulged my lifelong fondness for sea serpents; this one has barricades. I have a little knit sea serpent on my desk, but no one need feel obliged to knit me a barricade. Aaaaanyway. I can't tell why on earth working on this book should have this effect on SF stories of a type I've wanted to write. But at this point, I'll take it. Why not? Strange are the ways of writerbrain.
*I'm still pretty sure that the book is going to be called something other than What We Did to Save the Kingdom, but that's the necklace's title, and I don't have another title for it, so here we are.
**As opposed to noir, a distinction coined by
truepenny or at least introduced to me by her.
I was finally able to put words on this desire when I rewatched Galaxy Quest for the umpteenth time in May: the Thermians have taken something ridiculous and in parts frankly stupid and made it into something beautiful and functional. That's our job here, people. A lot of what we have right now is ridiculous and in parts frankly stupid. We're trying to get from that to beautiful and functional. (And funny and kind, ideally, but I'm already asking a lot of this future thing.) I don't need these tales to be predictive. I don't need them to be purely extrapolative rather than speculative. What I mostly want is acknowledgment that, yes, ridiculous and in parts frankly stupid, and I want to see glimpses, little side notes out of the corner of one's eye while one reads a really good story, of how the heck it got from that to the nifty shiny fun future setting.
The thing is, as I said, I've wanted this for some years. But in the last few months, as I've been working on What We Did to Save the Kingdom*, some of the connected-but-clair** SF stuff has been starting to fall together. I can see how to do some of the short stories I've wanted to do. I can see not only what I want to read but how to write some of what I want to read in this area.
This is, I scarcely need say, kind of exciting. What We Did is what I consider high fantasy, by which I mean fantasy with a lot of politics and magic. I think other people mean other things by high fantasy. This is not a quest fantasy. It has no elves (not even under other names), nor dragons, nor wizards. It is mathy, and there are barricades in it. I am uncommonly fond of novels with barricades, the kind that come with peasant uprisings. The last book I wrote indulged my lifelong fondness for sea serpents; this one has barricades. I have a little knit sea serpent on my desk, but no one need feel obliged to knit me a barricade. Aaaaanyway. I can't tell why on earth working on this book should have this effect on SF stories of a type I've wanted to write. But at this point, I'll take it. Why not? Strange are the ways of writerbrain.
*I'm still pretty sure that the book is going to be called something other than What We Did to Save the Kingdom, but that's the necklace's title, and I don't have another title for it, so here we are.
**As opposed to noir, a distinction coined by
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Date: 2007-08-05 01:53 am (UTC)no subject
Date: 2007-08-05 02:45 am (UTC)no subject
Date: 2007-08-05 02:07 am (UTC)no subject
Date: 2007-08-05 02:44 am (UTC)no subject
Date: 2007-08-05 02:20 am (UTC)One series I enjoyed tremendously was the Firestar series by Michael Flynn for much the same reasons you said. It acknowledged the idiocy here and turned it into something bigger and greater. It felt like the hope we had in the '60s when we were shooting for the moon.
I hope the barricades are fun.
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Date: 2007-08-05 02:45 am (UTC)I liked the first part of Firestar, but I felt like the series sort of tapered off in goodness there. But yes, that's one of the reasons I really, really liked it when I started reading it.
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Date: 2007-08-05 02:59 am (UTC)Regarding shiny futures that we can get to, what do you think of the Ken MacLeod oeuvre? (I can make an argument that it is, and I can make an argument that it isn't.)
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Date: 2007-08-05 03:29 am (UTC)no subject
Date: 2007-08-05 03:30 am (UTC)no subject
Date: 2007-08-05 03:41 am (UTC)no subject
Date: 2007-08-05 03:29 am (UTC)no subject
Date: 2007-08-05 04:31 am (UTC)o 1 Westmark (1981) by Lloyd Alexander
o 2 The Kestrel (1982) by Lloyd Alexander
o 3 The Beggar Queen (1984) by Lloyd Alexander
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Date: 2007-08-05 07:10 pm (UTC)no subject
Date: 2007-08-05 04:26 am (UTC)But it won't be American.
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Date: 2007-08-05 11:31 am (UTC)no subject
Date: 2007-08-05 04:16 pm (UTC)I too enjoy barricades, or at least people taking a stand for what they believe in, putting their lives on the line in defiance of encroaching chaos and evil (or their government) -- that's some good pathos there woo-wee! Yeah, TP totally got me with Nightwatch
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Date: 2007-08-05 05:35 pm (UTC)Also 100% certified Gwydion-free.
I don't even have fake Welsh people in this book, much less fake legendary Welsh people.
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Date: 2007-08-05 10:46 pm (UTC)no subject
Date: 2007-08-06 02:17 am (UTC)no subject
Date: 2007-08-06 02:58 am (UTC)I do think, though, that "Antarctica" and the climate change trilogy are more explicitly optimistic- at least in potential. We CAN do things- although we may not choose to do so.
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Date: 2007-08-06 04:08 am (UTC)I have not read the Climate Change Trilogy, but Patrick Nielsen Hayden recommended it last Convergence when I asked him where the optimistic SF was. I have the first book checked out from the library. Heh. Maybe I'll ditch "Rice and Salt" now and start that.
And yes, I normally love KSR. His Kathmandu stories are among my favorite short fiction ever.
Hmm
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Date: 2007-08-06 04:39 am (UTC)The climate change trilogy, though, was much more engaging- or so I thought.
And I totally ADORE his Kathmandu stories! They are just so brilliant and such fun!!!!
Anyway- yeah, I'd ditch "Rice and Salt" and start "40-whatever" (I am blanking on the name right now). I'll add that I would adore discussing the "distributed housing" concept in "50" with someone...
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Date: 2007-08-06 01:29 pm (UTC)no subject
Date: 2007-08-06 03:04 am (UTC)In general, I find KSR pretty humane, which I value a lot.
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Date: 2007-08-06 04:13 am (UTC)Optimistic SF that shows a future that is in sight of our time is what is profoundly lacking in current SF. Everything that I read in SF that is near-future is dystopic. Like you, I don't mind a little dystopia now and then. But a steady diet? Ugh.
Hmm
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Date: 2007-08-06 12:20 pm (UTC)I had a friend who commented -- I believe in a locked post -- that he had a hard time believing in optimistic futures. I said, yes, exactly; that's why we need them.
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Date: 2007-08-06 01:28 pm (UTC)Hmm
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Date: 2007-08-06 03:07 pm (UTC)