1. If you want to write a memoir, write a memoir. If you want to write a book about something else with memoir bits in it, you have to make sure that the memoir bits are roughly on a par with as interesting as your topic, or else really really short. Or else I will run away and read some other book on your topic whose author is not convinced that their own life is the most fascinating thing ever.
2. I remember being a teenager. It was not a built-in excuse for being an asshole. So whining that your parents are mean because they're poor? No. Sometimes it's not enough that the narrative be aware that the character is an asshole--you're still sticking me with a big chunk of text all about this asshole, and if they're not an entertaining asshole, I'm going to read something else.
3. Hockey is not everything. I mean this in a philosophical sense, but also in a very literal sense: hockey is not the building of Hadrian's Wall. Hockey is not the Silk Road. Trying to argue that various historical events were the True Beginning Of Hockey is likely to make me roll my hockey-loving eyes and move on.
4. Unrelieved doom. Next.
5. I know and care about several people who stammer. They do not go, "Th-this s-sentence is s-stupid." That is not how it works. It's not cute, it's not funny, quit doing it.
6. If your entire plot/premise is predicated around someone learning not to worry their pretty little head about big hard questions, go directly to hell and take your book with you.
7. If you have convincingly portrayed a protagonist everybody hates, you may consider that there's a good reason for this.
8. If you're going to compare your parents to Hitler--as an adult writing nonfiction--you need to be aware of the scale differences. No, seriously. Unconscious hyperbole is not our friend.
9. You had no respect for yourself, your reader, or your characters. Next.
10. Women do not constantly think of ourselves as though we were describing ourselves for phone sex purposes. I promise. Even lesbians and bisexual women, who may quite rightly be assumed to be fonder of women's bodies than the average straight gal, do not get their Rice Krispies while thinking of the pertness of their own breasts. In fact, I am a bit skeptical that any woman ever has gone around thinking of her own breasts as pert. Or lush. Mostly I think of mine as...mine. Like my ear or my elbow. Because...follow me carefully here...when you've had breasts for decades, you sort of get used to them, almost like they're a body part a person might have.
11. If you're going to hit a dozen genre conventions on the first two pages, you need to do it in a way that tells me that the story will not simply be a string of conventions. Three pages later, you still hadn't left the stencil. Fail.
2. I remember being a teenager. It was not a built-in excuse for being an asshole. So whining that your parents are mean because they're poor? No. Sometimes it's not enough that the narrative be aware that the character is an asshole--you're still sticking me with a big chunk of text all about this asshole, and if they're not an entertaining asshole, I'm going to read something else.
3. Hockey is not everything. I mean this in a philosophical sense, but also in a very literal sense: hockey is not the building of Hadrian's Wall. Hockey is not the Silk Road. Trying to argue that various historical events were the True Beginning Of Hockey is likely to make me roll my hockey-loving eyes and move on.
4. Unrelieved doom. Next.
5. I know and care about several people who stammer. They do not go, "Th-this s-sentence is s-stupid." That is not how it works. It's not cute, it's not funny, quit doing it.
6. If your entire plot/premise is predicated around someone learning not to worry their pretty little head about big hard questions, go directly to hell and take your book with you.
7. If you have convincingly portrayed a protagonist everybody hates, you may consider that there's a good reason for this.
8. If you're going to compare your parents to Hitler--as an adult writing nonfiction--you need to be aware of the scale differences. No, seriously. Unconscious hyperbole is not our friend.
9. You had no respect for yourself, your reader, or your characters. Next.
10. Women do not constantly think of ourselves as though we were describing ourselves for phone sex purposes. I promise. Even lesbians and bisexual women, who may quite rightly be assumed to be fonder of women's bodies than the average straight gal, do not get their Rice Krispies while thinking of the pertness of their own breasts. In fact, I am a bit skeptical that any woman ever has gone around thinking of her own breasts as pert. Or lush. Mostly I think of mine as...mine. Like my ear or my elbow. Because...follow me carefully here...when you've had breasts for decades, you sort of get used to them, almost like they're a body part a person might have.
11. If you're going to hit a dozen genre conventions on the first two pages, you need to do it in a way that tells me that the story will not simply be a string of conventions. Three pages later, you still hadn't left the stencil. Fail.
no subject
Date: 2009-07-09 02:05 am (UTC)no subject
Date: 2009-07-09 02:10 am (UTC)Also? So funny! I almost laughed, even!
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Date: 2009-07-09 02:16 am (UTC)no subject
Date: 2009-07-09 02:13 am (UTC)no subject
Date: 2009-07-09 02:17 am (UTC)no subject
Date: 2009-07-09 02:15 am (UTC)no subject
Date: 2009-07-09 02:27 am (UTC)no subject
Date: 2009-07-09 02:45 am (UTC)no subject
Date: 2009-07-09 02:37 am (UTC)I figure this characteristic will go away once I have kids, so I might as well enjoy it now, right? Because it's also a feature that seems due to the fact that they aren't exactly, um... big. (I figured if I said lush I might get beaten to death with an olive loaf.)
Breasts are weird. But yes, mine are mostly just... mine. And I often get annoyed when people treat them as something sexual when they were busy just being part of my chest.
Still, I might remember fondly from time to time that Steve categorized them as "pirate breasts" and said that was his favorite kind...
no subject
Date: 2009-07-09 02:49 am (UTC)(no subject)
From:no subject
Date: 2009-07-09 02:39 am (UTC)no subject
Date: 2009-07-09 02:44 am (UTC)(Because thinking of myself as "more athletic" than other people is weird and new, though often accurate.)
But it's the tone that throws me out when people try comparisons as a method of character description. When they get it right, it's golden. But it's so very easy to get wrong.
(no subject)
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From:no subject
Date: 2009-07-09 02:40 am (UTC)And there was one very memorable occasion which was both.
no subject
Date: 2009-07-09 02:42 am (UTC)(no subject)
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From:no subject
Date: 2009-07-09 02:47 am (UTC)And in the end? Nothing really changed.
no subject
Date: 2009-07-09 04:28 am (UTC)no subject
Date: 2009-07-09 04:42 am (UTC)(no subject)
From:no subject
Date: 2009-07-09 06:54 am (UTC)10) There's a very nice book by James Alan Gardner called Committment Hour in which kids change gender every year, and then they have to decide which to stick with as a grownup. And there's a scene in that book where these horny fourteen-year-old boys are talking, about a month before they change into girls for a year, and they say things like "I'm going to spend the first week just stroking my breasts, oh man I can't wait..." There are other nifty things about the book, but this was one of the things I especially liked. Because if you switched over, you'd notice.
Personally I think about my breasts about as often as my elbows. They're there, they stick out, big deal.
no subject
Date: 2009-07-09 11:38 am (UTC)(no subject)
From:no subject
Date: 2009-07-09 11:20 am (UTC)SNERK.
no subject
Date: 2009-07-09 11:42 am (UTC)I can't recall running across a stammer / stutter / blockage in fiction which I felt was remotely plausible.
Then again, most real life examples will be different from each other anyway, so how do you portray that? Someone who mostly only blocks on hard sounds vs someone who suffers on the "s" or "r" vs someone who mostly speaks fluently until they block vs someone who clicks vs...yeah.
I'm not sure anyone would really want to read a true fictionalized stutter. Imagine taking up a half page of repetition and restarts, avoidance of certain words the speaker really wants to say but knows he can't get out, extended syllables - and then continuing that throughout the entire book because it just doesn't get better on its own.
Not saying some folks don't have such a mild stutter where they only repeat one sound each, but no, I don't buy it either.
no subject
Date: 2009-07-09 12:28 pm (UTC)And while the book I gave up on was not speculative, having a Quick And Easy Magical Cure so that the author could write two pages of it at the beginning and move on would probably make me incandescent with rage, too, so I guess I am just very difficult to please here.
(no subject)
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From:no subject
Date: 2009-07-09 12:58 pm (UTC)Apparently Stalin had this "look" that made men crap themselves, so his office was always equipped with two male nurses whose sole job was to drag people away and clean them up after an interview.
no subject
Date: 2009-07-09 01:32 pm (UTC)no subject
Date: 2009-07-09 02:07 pm (UTC)#10--
The whole "describing oneself as if for phone sex" thing reminds me of the romances where an attractive woman runs over her looks in a severely critical manner while revealing to the reader that she's really pretty cute, although the target audiences are different. It is possible to study one's face in a mirror while thinking things like "Damn! I thought I got all that green clay goop off last night!" or "Is my hair sticking up?" or "I'm fifty freaking years old! Why do I have a zit?!" rather than "Oh, look! I have great big dark eyes that can sparkle with malicious mischief, and they are fringed with long, delicate lashes!"
no subject
Date: 2009-07-09 02:35 pm (UTC)(no subject)
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Date: 2009-07-09 02:29 pm (UTC)10.) I find 'tip-tilted' more annoying than pert, as I find it even less likely to be used by ANYONE as a description of ANYTHING. I can imagine someone using pert (or perky), but there's a difference between how you look at your body, and how someone else looks at your body, and there's also differences in why you're looking at your body from time to time. And I think that's something that authors--particularly, but not limited to, male authors--overlook in descriptions. Lush might work for a going out dancing description (though, you're right that the word is still weird, even if the idea is defendable--I think most people i know would verbalize it as "I look hot" vs "wow, my lush figure is amazing."), but if I am getting ready for work it will be more like "oh, for the love of god, how much fabric do I need to cover these things, damnit?"
In related news, my chest has apparently figured out how to unbutton knit tops. I start the day at 'coy hint of cleavage' and by late afternoon it's "these puppies aren't going to stare at themselves!"
no subject
Date: 2009-07-09 03:47 pm (UTC)And yes, exactly--even if you're thinking something positive, it's "Damn, still got it!" or "Wooo!" and not, "My breasts, they have the lushness." It's a tone question.
(no subject)
From:Clicker Training for Breasts
From:no subject
Date: 2009-07-09 03:00 pm (UTC)no subject
Date: 2009-07-09 04:19 pm (UTC)I kind of like "ship-chested," though.
no subject
Date: 2009-07-10 01:13 pm (UTC)no subject
Date: 2009-07-09 06:14 pm (UTC)no subject
Date: 2009-07-10 03:05 pm (UTC)no subject
Date: 2009-07-12 09:35 pm (UTC)P.